- PRO TOOLS USE SMART TOOL TO CREATE CROSS FADE HOW TO
- PRO TOOLS USE SMART TOOL TO CREATE CROSS FADE PRO
- PRO TOOLS USE SMART TOOL TO CREATE CROSS FADE PLUS
PRO TOOLS USE SMART TOOL TO CREATE CROSS FADE PLUS
Boy Scout salute (as we call Ctrl-Opt-Cmd at the Blackbird Academy), plus the up or down arrow will fit all visible playlists and tracks vertically in the window. Or, right-click in the ruler between the track information and waveform, and choose a height. Playlist heights can also be adjusted by selecting a track height from the triangle menu icon to the left of the tracks’ name or by dragging the lines between the playlists at the left.
Cmd-Ctrl and the left or right arrows allows one to flip between the various track views in the Edit Window- hitting the alphanumeric minus key returns to the waveform view (and hitting it again toggles between volume and waveform views).Ĭontrol and the up/down arrows make the top playlist taller or shorter on selected tracks and, by adding the option key, affects all tracks in the session. Again, it’s good to be in the habit of using shortcuts- from the waveform view, Cmd-Ctrl-Left Arrow selects playlist view. Once multiple playlists are recorded on a track, you can show them all by selecting “playlists” from the dropdown menu just below the record, solo, and mute buttons. It will duplicate your overdub into a correspondingly numbered playlist, keeping playlist switching coordinated. If you overdub over a later group of playlists, switch the tracks to an earlier playlist using the “All Group” or option key.
PRO TOOLS USE SMART TOOL TO CREATE CROSS FADE PRO
Simpler yet, in Pro Tools 12.6 and up, use the handy Command-Up/Down Arrow command to audition playlists on a track. To change all tracks recorded together, such as multiple takes of a song, to a particular take/playlist number, engage the “All” group, or hold option while changing the playlist selection on one track. To switch between playlists on a track, click in the mini-menu just to the right of the name. Adding the option key duplicates the currently selected playlist on all tracks: (Control-Option-Command-\) As above, adding shift duplicates the displayed playlists only on selected tracks: (Shift-Control-Option-Command-\). The shortcut for duplicating a playlist is the same as the new playlist one, with the addition of the Command key: (Control-Command-\). When bouncing or performing mixes back into Pro Tools, we can also save multiple mix versions, punch in, and edit the best mix sections together. Duplicating playlists allows us to preserve the original performances while trying out multiple edited versions and to save safety copies before conducting destructive processes such as rendering Audiosuite plugins, consolidating, etc. It’s a good idea to edit on a duplicated playlist to be able to go back to the original if need be. It puts the original clip on it that way, you don’t lose music. Engaging layered editing automatically creates a new playlist if you record over an existing clip. In PT 12.6 and up, selecting Preferences>Editing> sends fully overlapped clips to available playlists while editing/recording. Each time it loops to a new recording, it creates a separate playlist. Selecting Preferences>Operation automatically creates new playlists while loop recording and does what it says. Adding shift (Control-Opt-Shift-\) creates new playlists only on selected tracks. As always in Pro Tools, the option key means “do this to all,” so Control-Option-\ creates a new Pro Tools playlist on all tracks (including inactive ones).
To add a new playlist on a single selected track, use Control-\ (backslash). However, faster and spiffier than mousing around is using shortcuts, a summary of which is found at the end of this article. New or duplicate playlists can be created from the menu next to the track’s name in the Edit Window, designated by a downturned triangle. It is wise to rename duplicated playlists appropriately (by double-clicking on the name), and for instance, using “Gtr Solo Edit.” That way, Playlist.01 will designate take one. It is advisable to start any new project by first creating new playlists on all recording tracks so that the recorded playlists will start with the suffix.
PRO TOOLS USE SMART TOOL TO CREATE CROSS FADE HOW TO
Knowing how to get around playlists quickly opens many possibilities and options. A stack of playlists cut to the same click allows quick editing and compiling of our favorite bits of each performance into a finished song. Playlists allow us to save and switch between multiple performances, whether of entire band tracks or vocal or instrumental takes. One key to quick and effective recording is the use of Pro Tools playlists.
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